Presonus StudioLive® 32.4.2AI: A complete hardware/software mixing and recording solution.


RM20,034.00 RM22,260.00
*Price is inclusive of GST

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StudioLive® AI Active Integration mixing consoles combine a familiar, analog-like mixing surface with the power of digital mixing. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, they deliver the most creative environment possible for both live performance and studio music production. Loaded with no-compromises signal processing on every channel, easy store and recall of every setting, high-end converters and preamps, and an integrated multitrack recording interface, StudioLive AI mixers are expandable and boast advanced networking capabilities unmatched in their price class. Yet they operate so much like an analog mixer that you’ll immediately feel at home.

Features

32input channels, each with:

·   XLR mic and ¼” line inputs

·   High-headroom Class A XMAX mic preamplifiers

·   Analog ¼" inserts (rear panel)

·   Trim control with –20 to +20 dBV line / -15 to +65 dBu mic gain range (80 dB!)

·   +48V phantom power switch for condenser microphones

·   Digital Audio Input Select

·   100 mm precision faders

·   Phase reverse, highpass filter, noise gate/expander, compressor, 4-band EQ, limiter—all with A/B and Quick Null

·   Cascade two StudioLive® AI mixers of any frame size to create custom-sized mixing consoles.

·   48 in x 34 out FireWire s800 direct digital recording interface (24-bit/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz), compatible with Apple Thunderbolt to FireWire converter

·   Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and more

·   24 dedicated mix buses for easy configuration

·   14 aux buses with analog outputs

·   4 internal FX buses

·   4 subgroups with analog outputs

·   Stereo main bus with analog outputs

·   Access to Fat Channel functions

Four subgroup buses, each with:

·   Balanced TRS output

·   Solo

·   Mute

·   Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null

·   300 ms output delay

Fourteen aux buses, each with:

·   Balanced TRS output

·   Solo

·   Mute

·   Pre1/Pre2/post-fader send

·   Output-level control

·   Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null

·   31-band graphic EQ with A/B and Quick Null

·   Available sources: 32 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback

Four internal effects sends (two reverbs, two delay effects), each with:

·   Mute

·   Pre1/Pre2/post-fader send

·   Output-level control

·   Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null

Stereo main bus with:

·   Balanced XLR outputs

·   Balanced TRS outputs

·   Mono sum XLR output

·   Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null

·   31-band graphic EQ with A/B and Quick Null

Master section

·   Aux Input A and B

·   Level Control and stereo pan

Talkback system

·   Mic Level control

·   Output Select (Auxes, Main)

·   Talk button

·   Rear-panel XLR mic input with trim control and continuous 48V phantom power

2-track in

·   Level control

·   Tape Input to Mains button

·   Main Digital Audio Return on/off

Solo bus

·   Cue Mix volume control

·   PFL/AFL and Solo In Place (SIP) buttons

·   Latch, Radio, and CR Modes

·   Solo Clear

Monitor bus

·   Headphone-output level control

·   Control-room monitor-level control

·   Solo Bus to Monitor button

·   Tape Input to Monitor button

·   Main Digital Audio Return to Monitor button

·   Main Mix to Monitor button

Fat Channel with rotary encoders:

·   Pan with dedicated 15-LED display

·   Stereo link for input channels, aux buses, and subgroups

·   Phase reverse (input channels only)

·   High-pass filter: -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)

·   Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function

·   Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release

·   4-band fully parametric equalizer

o Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking

o Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0

o High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0

o High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking

o Master EQ On/Off button

·   Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio

·   Alt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus

·   Output Assign: 4 subgroups and main

·   All settings can be copied among channels and buses and can be saved as user presets.

·   50 channel-strip presets for drums, bass, guitars, keyboards, and vocals

·   Quick Parameter Null easily zeroes out any Fat Channel parameter

Sixteen 31-band graphic equalizers

·   6 Quick Scene buttons for instant Scene save/recall—like “speed dial” for Scenes

·   Automatic Global AutoStore

·   Customizable naming (for example, "Saturday Gig" or "Main Worship Service")

Individual channel-strip setting storage

·   Up to 48 at a time, plus…

·   50 factory presets for instruments and vocal

·   Copy and Paste between channels

·   Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)

Lockout mode to keep inspired amateurs from changing your settings

Metering/Displays

Input/Output

·   24 x 16- LED Fat Channel matrix:

o Pre-dynamics/pre-fader input

o Post-dynamics/post-fader output

o Gain reduction

o Aux 1-14 and EFX A-D output

o Fader-position recall

·   8 x 15-LED main meter bank

o Selected channel level

o Selected channel gain reduction

o Sub buses 1 to 4

o Main stereo outputs

·   15-LED horizontal Pan/Balance display

·   64 x 194 LCD matrix

o Effects parameters

o Scene creation, storage, and recall

o System menus

o Channel Info page with custom naming

o GEQ Select

·   2-digit Channel Selected display

o 32 main inputs, each with XLR mic, ¼" line, and ¼" inserts

o 2 ¼" balanced stereo (L/R) aux inputs

o 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control

o Unbalanced RCA stereo (L/R) tape inputs and outputs

o XLR stereo (L/R) main outputs with level control

o ¼" balanced stereo (L/R) main outputs

o XLR mono output with level control

o ¼" balanced stereo (L/R) control-room outputs

o ¼" headphone output

o 4 ¼" balanced subgroup outputs

o 14 ¼" balanced aux outputs

o 32 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24, 25-32 on DB25 sockets

o Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications

o Installed Option Card with:

§ S/PDIF digital out

§ 2 FireWire S800 ports (Fully comptible with Apple Thunderbolt to FireWire Adapter)

·   Optional networking cards

o Dante™ (SL-Dante-Mix)

o AVB

Integrated software

·   UC Surface touch control software with Smaart Measurement Technology™

·   Studio One® Artist digital audio workstation software for Mac® and Windows®

·   Capture™ multitrack recording software for Mac and Windows

·   StudioLive Remote-AI mixer-control software for iPad® available free from Apple App Store

·   QMix®-AI aux-control software for iPhone® and iPod® touch available free from Apple App Store

Digitalia

·   High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)

·   Unlimited-headroom, 32-bit floating point, digital mixing and effects processing

·   Internal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz)

Physical

·   Rugged, non-flex steel chassis

·   100 mm long-throw faders

·   Military-grade, quick-touch buttons

·   BNC 12V lamp socket

·   Optional dust covers available

 

Specification

Microphone Preamps (XLR Balanced)

 

Type

XLR Female, Balanced

Frequency Response to Direct Output

20 Hz to 40 kHz ±0.5 dBu

Frequency Response to Main Output

20 Hz to 20 kHz ±0.5 dBu

Input Impedance (Balanced)

1 kΩ

THD to Direct Output

< 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd

THD to Main Output

<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

EIN to Direct Output

+125 dB unwtd, +130 dB A-wtd

S/N Ratio to Direct Output

105 dB

S/N Ratio to Main Output

94 dB

Common Mode Rejection Ratio

65 dB

Gain Control Range

-15 dB to +65 dB (± 1 dB)

Maximum Input Level (unity gain)

+22 dBu

Phantom Power

+48 VDC

Line Inputs

 

Type

¼" TRS Female, balanced mono

Frequency Response to Direct Outputs

10-40 kHz, 0 / -0.5 dBu

Frequency Response to Main Outputs

20-20 kHz, ±0.5 dBu

Input Impedance

10 kΩ

THD to Direct Output

<0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd

THD to Main Output

<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd

S/N Ratio to Direct Output

105 dB

S/N Ratio to Main Output

94 dB

Gain Control Range (±1 dB)

-20 dB to +20 dB

Maximum Input level (unity gain)

+22 dBu

Tape Inputs

 

Type

RCA Female, unbalanced (stereo pair)

Maximum Input Level

+22 dBu

Auxiliary Inputs

 

Type

¼" TRS Female, balanced (2 stereo pairs)

Maximum Input Level

+22 dBu

Main Outputs

 

Type

Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)

Rated Output Level

+24 dBu

Output Impedance

100Ω

Aux Outputs

 

Type

¼" TRS Female, balanced (mono)

Rated Output Level

+18 dBu

Output Impedance

100Ω

Subgroup Outputs

 

Type

¼" TRS Female, balanced (mono)

Rated Output Level

+18 dBu

Output Impedance

100Ω

Tape Outputs

 

Type

RCA Female, unbalanced (stereo pair)

Rated Output Level

+18 dBu

Output Impedance

100Ω

Control Room Outputs

 

Type

¼" TRS Female, balanced (stereo pair)

Rated Output Level

+18 dBu

Output Impedance

100Ω

System Crosstalk

 

Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

-90 dBu

Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)

-87 dBu

Noise Gate / Expander

 

Threshold Range

-84 dB to 0 dB

Attack Time

0.02s to 500 ms / 0.5 ms

Release Time

0.05s to 2s

Expander Attenuation Range

2:1

Gate Attenuation Range

-84 dB to 0 dB / ∞

Key Listen Filter

2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz

Limiter

 

Threshold

-56 dB to 0 dB / -28 dBFS

Ratio

∞:1

Attack

20 ms

Hold

10 ms

Release

20 ms

Compressor

 

Threshold Range

-56 dB to 0 dB

Ratio

1:1 to 14:1

Attack Time

0.2 ms to 150 ms

Release Time

40 ms to 1000 ms

Auto Attack and Release

Attack = 10 ms, Release = 150 ms

Curve Types

hard and soft knee

Parametric EQ

 

Type

2nd-order shelving filter (Q = 0.55)

Low (Lowpass or Bandpass)

36 to 465 Hz, ±15 dB

Low Mid

90 Hz to 1.2 kHz, ±15 dB

High Mid

380 Hz to 5 kHz, ±15 dB

High (Highpass or Bandpass)

1.4 kHz to 18 kHz, ±15 dB

Q

0.1 to 4

Graphic EQ

 

31-Band 1/3rd Octave Controls

Curve-fitting algorithm

Gain/Attenuation

±15 dB

Digital Audio

 

ADC Dynamic Range (A-wtd, 48 kHz)

118 dB

DAC Dynamic Range (A-wtd, 48 kHz)

118 dB

FireWire

s800, 800 Mb/s

Internal Processing

32-bit, floating point

Sampling Rate

44.1, 48 kHz

A/D/A Bit Depth

24

Reference Level for 0 dBFS

+18 dBu

Clock

 

Jitter

<20 ps RMS (20 Hz - 20 kHz)

Jitter Attenuation

>60 dB (1 ns in ≈ 1 ps out)

Power/Environmental

 

Connector

IEC

Input-Voltage Range

100 to 230V, 50-60 Hz

Power Requirements

200W

Temperature Range

0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Physical

 

Length

21.31" (54.13 cm)

Width (chassis only)

31.58" (80.21 cm)

Maximum Height

7.02" (17.82 cm)

Weight

50 lbs. (22.68 kg)